holding you as steady as I can
https://vimeo.com/310456188/302c61f7aa A membrane sensitive to waves of available light and air, a divining rod for the intangible presence of what is always there, unremarked, between my outstretched hands. 2016, edition of 20 Exhibited at Pierre-François Ouellette art contemporain, 2016; Art Toronto, 2016; Papier Montréal 2017; Flowers Gallery, New York, 2017 https://www.flowersgallery.com/exhibitions/view/no-lemon-no-melon-summer-exhibition
Mille-feuilles: Quand le dessin a lieu
Group exhibition / Exposition en groupe Curator/ commissaire : Lise Lamarche 24 novembre 2019 - 9 février 2020 Salle Alfred-Pellan, Maison des arts de Laval Opening / Vernissage : 24 novembre, 14h Visite commentée : 26 janvier, 14h https://www.laval.ca/Pages/Fr/Calendrier/mda-expo-mille-feuilles.aspx In Lise Lamarche’s brochure and her talk January 26, she guides us through her exhibition choices as layers of ideas about drawing. Rather than paraphrasing artists’ specific intentions to coil our meanings into hers, she invites the reader/viewer to learn more about us (and our work) via “un petit coup de pouce sur l’ordi,” I’m happy to have some drawings play [...]
Art Toronto
at Toronto's Metro Convention Centre, October 25-27 2019 with Pierre-François Ouellette art contemporain, Montréal Showing: Back to you (Receptive Series 1) 2019 Polyester matte and transparent films; steel rods; thread; wood frame with plexiglass (sanded front), ambient light and air; 34 x 30 x 6 in
résidence
in situ project and collection of video sketches projet in-situ et collection de séquences-vidéos 2018 at Pierre-François Ouellette art contemporain, Montréal, Qc Immersed in the daily life of the gallery for four weeks I made something that won’t last (nothing lasts) but in the clear understanding that we must keep making things, as a way to focus delicately but with fierce determination on where we are (I am) now. It’s made slowly, changes continually with changes in daylight and air, is responsive. The marvel is what’s always, already here, all around us. article de Marie-Ève Charron, Le Devoir, [...]