Topographic Introspective
[nggallery id=40] 2002 20 lambda prints on masonite (5 X 7 - 41 X 54 in / 13 x 18 - 10x x 137 cm) on painted wall with vinyl lettering 20 photographs are presented on a dark wall to mimic a natural history museum exhibition, complete with place names. The photographs are close-ups of my sagging postpartum belly; the place names, chosen by their similarity to my first name, are of sites around the world, and the named universe. Uncanny, La Centrale Galerie Powerhouse, Montreal, QC, Canada (2002); curator: Christine Redfern Corporel, Pierre-François Ouellette art contemporain, Montreal, QC, Canada [...]
Cumulous
[nggallery id=17] 2000 Installation: plastic bags (7 X 9 in and 9 X 12 in); steel wire; nylon fishing line Small plastic bags, each filled with a breath of air, are suspended by fine, coiled wires at head height. Holes made through gallery walls let in air, wind, dust, snow. The viewer may walk amidst the bags — they bob about and cling to hair and clothing, whispering around the ears. Cumulous, Southern Alberta Art Gallery, Lethbridge, Alberta, Canada (2000); curator: Joan Stebbins Breathing Room, Dunlop Art Gallery, Regina, Saskatchewan, Canada (2001); curator: Anthony Kiendl Bonheur et simulacres, La Manif [...]
Bubbilicious
[nggallery id=13] 2000 glass, ,steel, bubblegum: 19 x 23.5 x 4 in / 50 X 60 X 10 cm Evidence, Plein Sud, Longueuil, Québec (2000); curator: Hélène Poirier 25 artistes, 25 ans, Leonard and Bina Ellen Gallery, Montréal (2001) metalwork: Louis Barrette Métaux Ouvrés photos: Paul Litherland
Fresh
[nggallery id=14] 2000 nylon, steel, fans (length, each: 102-285 in / 260-750 cm ) Nine fabric tubes are connected to an air duct system so that they gently channel fresh air from outside the building into the "recycled" air of the gallery. Evidence, Galerie Plein sud, Longueuil, Québec (2000); curator: Hélène Poirier Blanc divers, Galerie Art Mûr, Montréal, Québec (2001)