In situ project and collection of video sketches at Pierre-François Ouellette art contemporain, Montréal, Qc
Immersed in the daily life of the gallery for four weeks, I focused on what is always, already, all around us. Although I did re-imagine some installations of recent work, such as Vie étendue (feelers), 2016 and Interleaving (Talking to Mom), 2017, my main preoccupation was making interventions which responded to the changing qualities of daylight in the gallery — making drawings with the light itself. Near the front window I suspended curved, mirrored mylar in the zone where it would reflect direct sunlight in big curving bands across the entire gallery when the angle was right. On cloudy days, another piece of reflective material projected a patch of light from the skylight onto a shadowed wall, moving subtly. Bands of tissue paper suspended in the skylight filled with daylight. Everything was in subtle, continual motion from changing air temperatures due to the warming skylight, and the gallery’s air circulation system. Movies (1995-2018) played in the gallery’s video room.
article de Marie-Ève Charron, Le Devoir, 21 avril 2018
https://www.ledevoir.com/culture/arts-visuels/525676/karilee-fuglem-dessine-un-espace-vide-et-tangible
2018, karen elaine spencer, “Résidence”, ESSE 94, automne 2018
Fuglem-résidence–being–here-plan
Fuglem-résidence-being_here-text
see also / en plus :
