here within our curving spaces

2008
nylon monofilament, elastic thread, fans (Cygnus, 9 hours: 144 x 196 x 72 in / 360 x 480 x 180 cm)

In the entry room to the exhibition, elastic threads are stretched horizontally between walls to bounce in a watery shimmer, while marking the former path of the adjacent West Don River. In the adjacent room, a nine-hour orbital pattern of the constellation Cygnus forms a structure of lines into which a swan-like flock is built from fine monofilament. It is placed in relation to the constellation’s position during the summer exhibition.

A flipbook records hourly maps of the night sky faced with aerial photos showing the river’s gradually altered path. Entirely daylit, the artwork’s visiblity changes depending on the time of day and cloud cover, gradually disappearing at sundown.

here within our curving spaces, Koffler Gallery, Toronto (2008)

Learning to live on the ground (Somewhere behind my heart)

2008
nylon monofilament, steel: 95 x 106 x 142 in / 240 x 270 x 360 cm

A network of monofilament is made by marking the points between pores on an enlarged photo of the artist’s back. Positioned over a map of stars situated overhead during the exhibition it forms a structure of lines into which fine thread is worked. A vaulted architecture of cellular layers emerges, attached to the floor by steel weights which mark the star points. Between the vertical lines/pores are spaces large enough to stand in.

Learning to live on the ground, Pierre-François Ouellette art contemporain, Montreal (2008)
Circling the Inverse Square, Kitchener-Waterloo Art Gallery, Kitchener, Ontario (2013)